labstore.blogg.se

Racial ambiguity vampire diarie
Racial ambiguity vampire diarie









If you do not have a society account or have forgotten your username or password, please contact your society. Do not use an Oxford Academic personal account.

  • When on the society site, please use the credentials provided by that society.
  • If you see ‘Sign in through society site’ in the sign in pane within a journal: Many societies offer single sign-on between the society website and Oxford Academic. Society member access to a journal is achieved in one of the following ways:

    racial ambiguity vampire diarie

    If you cannot sign in, please contact your librarian. If your institution is not listed or you cannot sign in to your institution’s website, please contact your librarian or administrator.Įnter your library card number to sign in. Following successful sign in, you will be returned to Oxford Academic.When on the institution site, please use the credentials provided by your institution.Select your institution from the list provided, which will take you to your institution's website to sign in.Click Sign in through your institution.Shibboleth / Open Athens technology is used to provide single sign-on between your institution’s website and Oxford Academic. This authentication occurs automatically, and it is not possible to sign out of an IP authenticated account.Ĭhoose this option to get remote access when outside your institution. Typically, access is provided across an institutional network to a range of IP addresses. If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. Within the proliferation of representations of a multicultural United States, films question limitations on political representation for anyone not identifying-or being identified-with whiteness, including so-called white trash. Classical Hollywood whiteness is transformed by greater emphasis on so-called national values-individualism, consumerism, patriotism, secularism, and willful amnesia-that sustain foundational myths of a nation of immigrants, land of opportunity, and beacon of democracy.

    racial ambiguity vampire diarie

    It becomes a performative category (“white-identified-ness”) questioned in films like Blacula (1972), Ganja and Hess (1973), Martin (1976), Fright Night (1985), The Lost Boys (1987), Near Dark (1987), Interview with the Vampire (1994), and The Addiction (1995). By yoking the inclusivity of multiculturalism and exclusivity of whiteness, multicultural whiteness sustains white privilege without acknowledging it, granting conditional or provisional inclusion to select nonwhite groups. This chapter explores whiteness’s purported expansion through multiculturalism after Civil Rights and the Immigration Act of 1965.











    Racial ambiguity vampire diarie